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Carta cartoncino Springhill White 8,5" x 11", 90lb, 163gsm, 250 fogli (1 risma) – Cartoncino leggero premium, carta per stampanti con finitura liscia per biglietti d'auguri, volantini, scrapbooking – 015101R 90lb 1 risma

Brand:Springhill

3.7/5

€
49.37

Quando hai bisogno di un cartoncino leggero di alta qualità, questo cartoncino bianco Springhill è la scelta giusta. Con una tonalità di bianco brillante 92 e una finitura della carta liscia, questo cartoncino indice da 90 libbre è progettato per l'uso di copie e stampe fronte-retro senza sbavature su tutte le fotocopiatrici, stampanti laser e stampanti a getto d'inchiostro che accettano questo cartoncino di copertura. Consulta il manuale della tua stampante di casa prima di ordinare per assicurarti che sia in grado di gestire questo peso del testo o carta bianca del peso della copertina che hai selezionato. Usa questo cartoncino liscio per qualsiasi progetto in casa, in azienda o in classe che richieda un cartoncino resistente e stampabile che può essere fustellato, stampato o piegato. È ideale per la stampa in bianco e nero, la stampa a colori, biglietti di auguri, copertine di report, direct mail, brochure, volantini, scrapbooking e molte altre applicazioni. La superficie liscia della carta risulta nitida, stampe vivaci e trasparenza minima sia che tu stia stampando progetti di stampa personali o commerciali. L'indice da 90 libbre soddisfa le normative USPS, quindi puoi usarlo per gli invii. Inoltre, questo cartoncino privo di acidi impedisce ai tuoi documenti di ingiallire nel tempo. Springhill è prodotto al 100% negli Stati Uniti e certificato Sustainable Forestry Initiative (SFI), il che significa che quando acquisti carta Springhill, stai acquistando una risorsa rinnovabile. In International Paper ci impegniamo ad aiutare a ripiantare foreste, sostenere le foreste e contribuire a ecosistemi forestali sani. Scegli il cartoncino Springhill: il supporto perfetto per inchiostro per stampanti, matite colorate, pennarelli, pastelli, acquerelli e altro ancora. quindi puoi usarlo per gli invii. Inoltre, questo cartoncino privo di acidi impedisce ai tuoi documenti di ingiallire nel tempo. Springhill è prodotto al 100% negli Stati Uniti e certificato Sustainable Forestry Initiative (SFI), il che significa che quando acquisti carta Springhill, stai acquistando una risorsa rinnovabile. In International Paper ci impegniamo ad aiutare a ripiantare foreste, sostenere le foreste e contribuire a ecosistemi forestali sani. Scegli il cartoncino Springhill: il supporto perfetto per inchiostro per stampanti, matite colorate, pennarelli, pastelli, acquerelli e altro ancora. quindi puoi usarlo per gli invii. Inoltre, questo cartoncino privo di acidi impedisce ai tuoi documenti di ingiallire nel tempo. Springhill è prodotto al 100% negli Stati Uniti e certificato Sustainable Forestry Initiative (SFI), il che significa che quando acquisti carta Springhill, stai acquistando una risorsa rinnovabile. In International Paper ci impegniamo ad aiutare a ripiantare foreste, sostenere le foreste e contribuire a ecosistemi forestali sani. Scegli il cartoncino Springhill: il supporto perfetto per inchiostro per stampanti, matite colorate, pennarelli, pastelli, acquerelli e altro ancora. In International Paper ci impegniamo ad aiutare a ripiantare foreste, sostenere le foreste e contribuire a ecosistemi forestali sani. Scegli il cartoncino Springhill: il supporto perfetto per inchiostro per stampanti, matite colorate, pennarelli, pastelli, acquerelli e altro ancora. In International Paper ci impegniamo ad aiutare a ripiantare foreste, sostenere le foreste e contribuire a ecosistemi forestali sani. Scegli il cartoncino Springhill: il supporto perfetto per inchiostro per stampanti, matite colorate, pennarelli, pastelli, acquerelli e altro ancora.

Prodotto non disponibile

EAN: 0800187963255

Categories: Arti, artigianato e cucito, Creazione, Carta e lavoretti con la carta, Carta, Cartoncino,

SI ABBINA AD ALTRE CARTE SPRINGHILL – Con Springhill, non c'è limite a ciò che puoi creare a colori; per un look coerente al tuo progetto, abbina questo cartoncino bianco con carta per stampante colorata Springhill, cartoncino colorato o carte Accent Opaque. FONTE SOSTENIBILE - Le carte Springhill sono prodotte al 100% negli Stati Uniti e certificate da Sustainable Forestry Initiative (SFI); quando acquisti carta di cartoncino Springhill stai aiutando a ripiantare foreste e sostenere lavori forestali sostenibili per i proprietari terrieri in America. PRESTAZIONI DI STAMPA DI ALTA QUALITÀ - Questo cartoncino liscio vanta caratteristiche di asciugatura rapida dell'inchiostro per stampe fronte-retro senza sbavature in fotocopiatrici, stampanti a getto d'inchiostro e laser che accettano questa carta per copertine; il cartoncino privo di acidi previene l'ingiallimento nel tempo. PER LA STAMPA PERSONALE O PROFESSIONALE - Usa questa carta liscia per qualsiasi progetto in casa, in azienda o in classe che richieda un cartoncino resistente e stampabile che può essere fustellato, timbrato o piegato; l'indice da 90 libbre soddisfa le normative USPS per la spedizione. CARTONCINO LEGGERO - La carta per cartoncino Springhill da 90 libbre è la scelta ideale per le tue applicazioni di stampa premium; Caratterizzata da una superficie liscia, questa carta cartoncino bianca leggera produce stampe nitide e vibranti con una trasparenza minima.
Brand Springhill
Brand ‎Springhill
Brightness Rating ‎92.00
Color 90lb
Color ‎90lb
Customer Reviews 4.7 4.7 out of 5 stars 7,712 ratings 4.7 out of 5 stars
Is Discontinued By Manufacturer ‎No
Item model number ‎015101R
Item Weight 5.41 Pounds
Item Weight ‎5.41 pounds
Manufacturer ‎Sylvamo
Manufacturer Part Number ‎015101R
Material Paper
Material Type ‎Paper
Number of Items ‎1
Paper Finish ‎Smooth
Paper Weight ‎90
Product Dimensions ‎11 x 8.5 x 1.9 inches
Sheet Size ‎8.5 x 11
Size 1 Ream | 250 Sheets
Size ‎1 Ream | 250 Sheets

3.7

8 Review
5 Star
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Scritto da: Feline Fanatic
Good printer paper for coloring
I am just getting into drawing and coloring and was searching for a paper I could run through my printer that was the next step up from copy paper. This paper (which was recommended by a few You Tube artists who teach adult coloring) definitely fits the bill as it is heavier and more substantial than copy paper with a little tooth for blending and layering colors. I don't understand the paper classification system very well, so whether this paper should be labeled as cardstock, bristol, vellum, all of the above, or none of the above is beyond my pay grade. What I can say based on my personal experience is that this is the heaviest paper that I am able to run through my printer...though not easily. I have an HP Officejet Pro 8620 (inkjet) and I kept all fingers crossed the first time I tried printing this on paper. While I was pleasantly surprised that it worked, I must add that it doesn't always work on the first try, and I sometimes need to feed the sheet through a few times before achieving success. I am therefore only able to print pages one at a time while monitoring the outcome and re-doing as needed. Fortunately, when a piece of this paper won't go through the roller, it doesn't jam anything up, - which is what happened when I tried printing on a heavier weight watercolor paper. I should note that I have an older printer, and at the time I purchased it several years ago, I wasn't even thinking about printing out anything heavier than copy paper. So YMMV and your printer may be able to handle this paper more robustly. I personally don't mind the little bit of extra time and effort involved in getting this paper to print on my printer, since I don't ever need to print more than a few pages at a time.
Scritto da: Kindle Customer
Colored Pencil Comparison: this paper vs 67 pd. Bristol Vellum & 80 pd Hammermill Premium Copy Paper
I am an avid colorist. I use colored pencils to color. As a hobbyist, I didn't want to color in some of the books I had purchased because I was still learning so much and wanted to practice. I started to copy my books and after several different types and weights of paper, I ended up preferring this paper to any of the others I had tried. It was superior to the paper in the coloring books 99 percent of the time. I wanted a paper which you could erase where necessary without destroying all the tooth of the paper. While I now try to use only the Faber Castell box that lifts the pigment off the page, I also have a Tombow eraser and an electric one which allows me to erase a fine detail. I also wanted a paper that you could apply many layers of pencil to as a beginner I was always having to add color to get the desired result. Recently I had a book which I did color in as I knew I wasn't crazy about the images and would never want to repeat them. That book had a slicker paper and I did like it both in terms of application of the pencil and the end result. So I purchased two other papers to compare to this one to see what difference the paper actually makes. I purchased a really bright white paper of the same weight as this, the Hammermill Premium Color Copy 80 pound paper as well as the Exact Neehan Bristol Vellum in a 67 pound weight. This review compares the three papers for colored pencil purposes. Keeping in mind that I am a hobbyist, not an artist, I colored the same page from Wild Soul book by Grazio Salvo. I used primarily the Lyra Rembrant polycolor oil pencil, with a few Tombow Irojitens and Prismacolor Verithins which are both wax based. I used the same pencil colors and tried to make everything the same in coloring the three different papers. I was truly surprised at the outcome. In all but two areas this paper was hands down the best paper for colored pencils. The Hammermill was the brightest white. This paper jammed in my printer and the other two did not. Otherwise in all comparisons I would recommend this paper. In the photo showing all three, this paper is first, followed by the 67 pound Neeham Bristol Vellum, with the Hammermill paper shown last. I did identify the papers in the margin as well as drawing lines to show where I used different ways to blend. Although the background had the same number of layers applied in a cross hatch with a single blue pencil, it appeared deeper and darker blue in this paper than in the other two. The Hammermill slick finished paper just didn't accept as many layers of color. (I actually added two more layers with that paper for a total of 8 layers!) There wasn't a huge difference between the 67 pound Bristol vellum and this bristol vellum so if money is a factor the 67 pound is obviously less expensive. As I look at the outcome on this paper I see numerous places where I should go back to adjust the color. With this heavier weight, I can easily do so. In the background I also tried three different blending techniques, Gamisol, Caran d'Ache full blender pencil and a white colored Lyra pencil. The Gamisol (oderless mineral spirits) had the largest area in front of the women's head to the top of page. Because this paper is thicker I didn't have to worry as much about the liquid blender. It blended very well with this method on this paper. With the Hammermill, I ended up with a bunch of pigment on the end of my qtip, so instead of blending I was removing! The bottom corner under the tiger's nose was not blended at all. The area in front of the tiger's nose was blended with a white Lyra pencil. It did lighten the color slightly when blending. The best result was behind the women's head where I used a Caran 'd Ache full color blending pencil. This pencil actually feels like you are putting down wax while blending. The result was to eliminate the pencil lines and get a deep blended blue color, that fully saturated the paper. While there were significant differences between the Bristol Vellum papers and the Hammermill papers, the difference between the two Bristol Vellum papers was fairly minimal. As this paper was my first and the other Bristol Vellum my third coloring of the same image I would expect improvement even in such a short rushed period of time. That was in fact the case, but the improvement had nothing to do with the paper only the person using the paper! Even with the occasional jamming issue I really love this paper. I have copied over 450 pages to copy at this point. (I am on my second ream and about half of it is gone.) As I am making these copies to practice, I do copy on both sides of the paper. All three papers performed well in copying on both sides. I would recommend you try a variety of papers if possible as much of this may be merely personal preference. From my point of view using this paper has only made me more critical of the paper used in most adult coloring books. For 250 sheets the price is very fair. This paper was less expensive than other identical paper made by other manufacturers. Without question this paper will be my first choice when coping images to color with colored pencil. (I would also think this paper would be preferable for wetter mediums, watercolor or marker, as it is thicker and will not bleed through as easily. Because it has more tooth or texture, I would think it would be better in that regard the slicker paper of equal weight.)
Scritto da: BugGirl
Decent but won’t buy again
Packaging was a mess. (Why is paper always so mishandled? I have yet to purchase paper on amazon that arrives unopened without a few pages being destroyed.) The paper printed up well, but compared to the smooth and super smooth, it’s no match. The feel, the look. I have all three, and side by side you will never mix them up as the change is noticeable. But for what it is, and the price, I can’t complain, and I knew what I was buying as I wanted to try multiple types. My plan was to use this to print, thinking it would feed into the printer better. I didn’t notice a difference. Adhesive wise, I never get warping with the other two. This warped. I’ve only used it once, so I know to go lighter on the glue (which I didn’t overdo -my guess is that it was the heat), but it warped pretty badly between the glue and minimal heat embossing I did. So this paper definitely won’t go to waste, but won’t be used for what I had hoped.
Scritto da: Yvonne Marie Jinks
Good Value for Money
How would I describe the thickness and weight of this paper/card-stock, it is slightly thicker than Michaels 65lb card, probably closer to an 80lb card-stock. It definetely is not as thick as Michaels 110lb card-stock. I believe it will work fine for cards but not for larger boxes, unless you are going to add a layer of thick paper. It cuts well on my Scan N Cut- the cuts are clean and precise, with no fraying. I usually score cardstock before bending and have not experienced a problem when I score, however I did try bending without scoring and I had those pesky fray marks. I do believe that it is good value for the money and would recommend anyone trying it, to see if it fits into their specific needs. Like many commentators, the out-side paper cover was torn but the cardstock was fine.
Scritto da: Amazon Customer
It is index paper not card stock !
My mistake . It said 110lb but I didn’t realize there is a big difference between types of card stock !! I didn’t realize “index” type is quite a bit thinner than card stock . So do your research :). My bad so I won’t return it , but I won’t make the same mistake again . The paper would be ok for other things but it is not a solid paper . It has a kind of mottled look , but not a desire able mottled look for card making as what I am looking for .
Scritto da: Michael Major
Packaging is Torn
Very good quality. Used for Menus in the restaurant industry. This is my second order and will continue to order but I just don't understand with the orders I receive, the packaging is always ripped open. Not sure where the product originates from but thought it should be brought to someones attention.
Scritto da: Barbara Stanton
Really good.
The media could not be loaded. I love it! I just printed a small gift bag and it came out perfect!! Good price, great product. Thank you.
Scritto da: melissa
cardstock paper
arrived fast. great quality and thickness. definately ordering more in the future. I use cardstock for art and caricatures. artwork seen in photos are done in acrylic paint on the cardstock paper.

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